mardi 7 août 2012

Light&Light effect


            The light
All light is formed by many different waves but only a very few of them are visible to humans.
The ligh sprectrum:
Radio----Microwave------Infrared------Visible light-----Ultraviolet-----x-ray-----Gamma rayor by using image processing software.
            ---------long wave length-----------------------------------------short wave length-----------------
            ---------low frequency--------------------------------------------high frequency---------------------
            ---------low energy------------------------------------------------high energy------------------------

            Ulraviolet light can affect film and digital sensors.
            Infrared light can be used for creative photographic effects, it’s possible by fixing an opaque filter                front of Lens.
UV Filter block the uv light which although invisible for human  is recorded by photographic colour film and less so by digital sensors. Uv light is most prevalent at high attitude and by the coast and causes an excessive blue colour cast.
The colour temperature varies throughout the day from warm reds and oranges in the early morning and late afternoon trough to cold blues around noon. Like sunrise: red, early am:red, mid am: yellow, late am:blue, noon: clear, early pm:blue, mid pm:yellow, laepm”red, sunset:red.
The light effects
The intensity of light depends on the distance between the light source and he subject and the size of the light source. The close the light source is to the subject the greater of illumination. A direct light source produce harder, more intense light than a larger light source, which typically produces softer, less intense lighting.
Natural lighting is harder to control than artificial one but you can alter the size of the light source by using natural diffusers such as clouds or artificial diffusers. The inverse square law is a mathematical equation to measure the effect of changing the light to subject distance. When halving the distance between the light and the subject the level of illumination quadruples. The quality of light refers to how hard or soft the light is. When light is from an unobstructed point source referred to hard lighting as it produces a greater degree of contrast and well-defined hard-edged shadows. When the light is diffused it produce les contrast in the scene and less well defined shadows with softer edges. The direction from which light falls on a subject will determine where and if shadows appear. Side lighting is less suitable for revealing detail in therefore it’s typically used for portrait, is often considered the best direction for lighting and should be used when you want to reveal form or depth, also it’s the best for creating landscape images with three-dimensional appearance. .Front lighting is more suitable when photographing a building for revealing details, for record purposes. Backlighting will produce silhouettes exposing for the highlights or will produce rim lighting exposing for the shadows. Backlight is ideal for creating atmospheric images of subjects such as people, animals ,landscapes.
The light meters and exposure
The camera has a light meter, a through-the-lens (TTL) meter, which mesure the intensity of reflected light entering in the lens. It is calibrated to see everything in the world as 18% grey and will provide an exposure calculation based on the subject being 18% grey whether it is or it isn’t. For example when photographing snow  using auto exposure function it will typically appear grey  in the final image, because the camera thinks snow is 18% grey. The manufacturer had to set a line in the sand, so 18% - medium-tone is exactly the half way between film’s ability to record detail in shadows and highlights.  When the subject is medium-tone then the camera will produce a technically accurate exposure. However if the subject is lighter or darker then the camera is liable to under-expose(lighter subject) or over-expose(darker subject) because it is always trying to archieve a medium-tone, 18% grey result.
Film and digital sensors have limited ability to record detail across a broad range of brightness.
------------------------------------digital sensor
   ----------------------------         negative film
        --------------------             positive film
The TTL light meter can be set by measuring the level of brightness in different sections of the viewfinder screen to assess, the multi-segment is ideal to spend little time about exposure, the centre-weighted metering calculate an exposure value(about75%) from the centre circle, is considered ideal for portrait when the subject fills the centre of the frame and the background plays a less significant role in the composition. Spot-metering mesure the intensity of light from a tiny area usually 3-5% and is used when calculating the difference in stops between the lightest and darkest areas of the scene, typical for landscape.
Therefore exposure compensation can be used as snow is around two stops brighter than medium tone by applying +2 EV(exposure value) he camera will add 2 stops extra brightness to the scene. The

Lighting ration

refer to the level of contrast and are a measure of the difference in stops between the brightness of the shadows areas compared to the highlights. Ex: a model lit on her left side by a direct light and on her right side by a soft light then the lighting ration si 2:1. This will help to visualize exactly the strength of shadows in the final image.